Art of the Genre: Darrell K. Sweet [1934-2011]

Art of the Genre: Darrell K. Sweet [1934-2011]


I walked into the Black Gate L.A. building this morning and Kandi read me the following message as I passed the reception desk:

Fantasy and Western Artist Darrell K. Sweet passed away on Monday morning.”

I looked at her, those silky blues eyes staring back at me as if to ask what she should do. I had no answer, simply taking the note and walking into my office before closing the door…

I’d spent the past year working to get in contact with Darrell, all my attempts falling short, and now it was too late. Too late to find some unknown tidbit of information from one of the most recognizable fantasy artists of the past thirty years.

When I did my infamous ‘Top 10 Fantasy Artists of the Past 100 Years’ article earlier this year, I didn’t include my personal Top 10 list, only the added and evaluated contributions of 50 industry experts. Darrell didn’t make their list [actually he didn’t get a single vote other than mine], which I thought was a huge travesty, but nonetheless he’d made mine prestigious list because I can’t readily remember fantasy literature without him.


It’s said that Darrell didn’t enjoy fantasy art, that he thought it somehow cheapened his craft. I can neither confirm or deny this fact, but I will say that there was absolutely nothing cheap about anything Darrell did in this wonderful genre.

His work is timeless, pure, bright, and has such a flair for depth and humor that I’ve always found it captivating in a way few other artists ever manage. There was also an innocence to his subject matter, and perhaps that harkened back to his days defining the 80s fantasy marketplace.

In that time books were more fun, more frivolous, more thoughtful, and I love that period so much more than the dark and gory swath of drivel that takes up so much of the shelves today at B&N. You can keep Abercrombie’s blood splatters and Martin’s incest and murder as well as Goodkind’s rape scenes and bondage. I’ll happily stay in the naiveté and dashing wit of Anthony’s Xanth, L.E. Modesitt’s Recluse, Stasheff’s Rhyme, and Watt Evans’s Ethshar which are all depicted in the wonder of Sweet’s brilliant brush.

I came of age in those days, both as a young man and as a reader, and I have to thank Darrell for providing a looking glass into the worlds I would visit. His rendition of J.R.R. Tolkien’s Hobbit and Lord of the Rings in the Silver Jubilee Edition still holds a place on the shelf next to my desk as the gateway to Middle-Earth for me. His cover’s inspired my reading of Tolkien’s epic and he’s one of only two artists that I will permanently recognize as the true visionaries to that universe.


Born in Highland Park New Jersey in 1934, Sweet studied art at Syracuse University and began his professional career in fantasy art in 1975, almost two decades after attaining his degree. During the most productive portion of his career from 1975 to 2005 he produced more than 3000 images, perhaps his best known coming on the covers of Robert Jordan’s Wheel Of Time. Sadly, both Jordan and Sweet didn’t live long enough to see the series completed, although the final volume is due out in 2012.

At his heart, Sweet wanted to be a Western artist, and he looked the part, Stetson and white beard a kind of Lonesome Dove-like figure as any you’d see. His passion for the American West is well noted, and he did some truly inspired pieces in that genre but with the advent of the Space Age, Westerns dwindled and fantasy bloomed. Reluctantly, he took up the call to the up and coming genre and the rest is history.

Personally, I’ve always been taken with Sweet’s style as a world builder along with the likes of Walter Velez. It’s not necessarily his brush strokes that amaze, but his vision at creating a particular world where all of his images tend to take place. If you know Sweet’s work, you know what I’m talking about, a place where men wear their beards pointed, women are fair and delicate, and dragons are round-bellied with small scales and stunted and tattered wings. If I could say anything about his worlds it would be that they are happy, bright, and epic all in one, even if you get a sense of hardy adventure waiting just beyond the page.


In depicting Tolkien in his Jubilee Editions I draw the reader’s attention to his cover for The Hobbit, the regal image of Gandolf with a truly inspired Glamdring at his side in eggshell blue sheath is impossibly good, and the gold of the eagle is completely off the chart. In essence, his works ‘pop’, capture the eye and make one smile while you pull the book closer to find some hidden detail.

I’m serious when I say no other artist has covered more books that I’ve read in my life, from the Donaldson’s Chronicles of Thomas Covenant the Unbeliever to the Rosenberg’s Guardians of the Flame. If Sweet was on the cover I’d shell out money to read it, plain and simple.

In conclusion, I hope all of you who’ve ever knowingly or unknowingly been moved by one of Sweet’s covers will take a moment to remember the passing of one of the industry’s greats. Please add a comment below if you can think of a book you’ve enjoyed that Sweet covered, and thank you for taking the time contribute your thoughts.

Rest in Peace, Darrell, you will be missed by never forgotten…

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Ryan Harvey

I had the pleasure of meeting Mr. Sweet when he was a guest of honor at World Fantasy 2010. He was very busy with people getting him to sign books (he signed my hardcover of White Gold Wielder), but he did stop to chat with me about his covers for the Heinlein juveniles, which he credited with getting his career going. I grew up on those covers, and for me Darrell Sweet and Heinlein are forever connected.


I have some great memories of Mr. Sweet’s work, from his Tolkien calendar to the covers of the Xanth books, The Chronicles of Thomas Covenant, The Wheel of Time, and a host of others. Growing up in the late 1970’s and early 1980’s was a bit more special with these images to fire my young imagination.


Wow, Sweet’s covers for the Covenant novels will always connect me to summer days spent sitting under a tree in the front yard and reading. He defined the way I’ve seen Covenant ever since. Sweet also did the covers for the Deryni novels. What an amazing legacy.

Sarah Avery

Oh, so that’s who did the covers for Patricia McKillip’s Riddle Master books. The cover for Heir of Sea and Fire is one of the images that sealed me as a fantasy reader for life. I see that cover art, and I’m thirteen, faking illness so I can stay home from school and take refuge in my pile of library books.

Bill Ward

The first book I ever bought, as a wee lad, was The Hobbit — and it was the Darrell Sweet cover that made the sale. His style is what fantasy was to me, growing up.


Darrell K Sweet covers bring me back to my youth spent playing D&D and reading all the fantasy I could get my hands on. My first Tolkien boxed set had the DKS covers too! His artwork also drew me to Joel Rosenberg’s The Sleeping Dragon and Lawrence Watt-Evans’ The Misenchanted Sword. It is such a tremendous loss for all those who were weaned on fantasy fiction of the the early 1980s. RIP DKS.


I really enjoy his Silmarillion stuff especially the slaying of glaurung


Thanks for the homage. Sweet’s Chronicles of Thomas Covenant covers are my favorite kind of fantasy art. It’s a strange parallel, but I think Sweet’s work is to a lot of modern fantasy art as Ray Harryhausen’s special effects are to modern fantasy CGI effects. With risk of sounding old and surly, there’s a tangibility, vibrance, and presence to his subjects that just isn’t there with your run of the mill, Adobe Photo-shopped fantasy art.


Great article Scott! I am not sure how many books I have read that had Sweet covers, but through working in used book stores for over 15 years, I have seen and admired SOOOO many.


actually I just checked my fantasy art collection and found that I have a copy of “Beyond Fantasy” The Art of Darrell K. Sweet” It’s still got the original price and date that I put in the back at Top Shelf Books. I am so glad that someone didn’t buy it because I got to take it home instead!

Scott Pike

I know this is many years late, but there are too many to name. It was only afew years ago to me that I looked back on the unfinished book 14 of Wheel of Time and looked up the author of those covers that I realized that if it was scifi or fantasy in my childhood in 80s, teenage in the 90’s or even in the 2000’s it was probably a cover by him I read the book for. I grew up just think that was the style of books for scifi and fantasy without ever realizing that most of them where by the same artist. I’m not sure I would have been as much a reader of those books without his covers and I dearly miss them on todays books and always feel sad when his covers get replaced by newer usulay worse less interesting cover for reprints. He is very much missed, but God gained a grand artist.

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