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Ancient Worlds: Killing the Bull of Heaven

Ancient Worlds: Killing the Bull of Heaven

300px-British_Museum_Queen_of_the_NightWhen you kill the Big Bad, it gets attention.

Gigamesh and Enkidu return to Uruk after Humbaba’s death. Gilgamesh bathes and puts on his royal garments. This effect is so impressive that the goddess Ishtar herself appears before him and begs her to marry him.

If you remember back to the Odyssey, this is a pretty typical motif: the hero who is so manly that goddesses are laid low. But while Odysseus tried to have his cake and eat it too (pardon the expression), Gilgamesh has absolutely no interest in playing nice.

He does not offer Ishtar a polite refusal. He calls her a whore. He lists the many lovers she has had and their terrible fates.

And that is just the beginning. He calls her:

a half-door that keeps out neither breeze nor blast,
a palace that crushes down valiant warriors,
an elephant who devours its own covering,
pitch that blackens the hands of its bearer,
a waterskin that soaks its bearer through,
limestone that buckles out the stone wall,
a battering ram that attracts the enemy land,
a shoe that bites its owner’s feet!

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Ancient Worlds: Killing Humbaba

Ancient Worlds: Killing Humbaba

Gilgamesh and Enkidu battle Humbaba, here portrayed as a creature with an eagle's wings and the body of a horse. Also, a little short for a storm trooper.
Gilgamesh and Enkidu battle the Bull of Heaven

We have a hero: Gilgamesh.

We have his best friend and sidekick: Enkidu.

Logical next step: find big monster and kill it.

Luckily, the Epic of Gilgamesh has one handy. This monster comes in the form of Humbaba, a being who is massive and terrifying, who was created to be “a terror to human beings” and who acts as a guardian of the Cedar Forests.

And frankly, he’s a really weird monster. As I’ve noted before, Mesopotamian myth feels very strange to us. Four-thousand years may be a blip geologically but anthropologically it’s a massive gulf. And as illustration, I offer up the fact that Humbaba’s face is usually depicted as being constructed out of intestines.

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