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The Tuvela Theory: The Demon Breed by James H. Schmitz

The Tuvela Theory: The Demon Breed by James H. Schmitz

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The Demon Breed (Ace Books, September 1979). Cover by Bob Adragna

Earlier this year, I visited my city library during a book sale. One of the things I spotted on their shelves was a novel by James H. Schmitz that I wasn’t familiar with. I’ve liked Schmitz since I discovered his story “Novice” in the collection Analog 2 — so I bought this one.

The Demon Breed came out in 1968, fairly late in Schmitz’s career, which lasted from 1943 to 1974. Like a large part of his work, it first appeared in Analog, where it was serialized as The Tuvela. Most of what he wrote was short fiction, including his best known story, “The Witches of Karres,” expanded into a novel with the same title in 1966; The Demon Breed is one of only four novels, and by today’s standards, a fairly short one.

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Howard Andrew Jones’ Lord of a Shattered Land and the Serious Business of Swords, Sorcery, and Comedy

Howard Andrew Jones’ Lord of a Shattered Land and the Serious Business of Swords, Sorcery, and Comedy

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Lord of a Shattered Land (Baen Books, August 1, 2023). Cover by Dave Seeley

At about the halfway mark in Howard Andrew Jones’s Lord of a Shattered Land, the excellent opening volume of The Chronicles of Hanuvar, the author shifts gears. “Against the run of play,” he opts for comedy.

Lord of a Shattered Land is set up in episodic form, such that each of the chapters can be read independently. The first eight unfold through tightly plotted escapades that firmly position Hanuvar, the refugee general, as a heroic figure. His journeys bring him face-to-face with enemy soldiers and more than a few gruesome creatures.

As ever, the line between horror and S&S remains thin –– but that’s a discussion for another post. For today, I’m sticking with Chapter Nine, “The Autumn Horse,” in which Jones signals that he’s ready for a change of pace. To accomplish this, he has a single tool, the same one employed by every humble scrivener, and that, of course, is prose.

So how, exactly, does Jones haul Hanuvar, however briefly, into the realm of the comedic?

Let’s find out. Nuts and bolts, look out below!

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A to Z Reviews: “The South China Sea,” by zm quỳnh

A to Z Reviews: “The South China Sea,” by zm quỳnh

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A to Z Reviews

In my collection, the letter Q is represented by 12 authors and 28 stories, ranging from Qitongren’s “The Spring of Dongke Temple,” which I discussed last week and ending with zm quỳnh’s “The South China Sea,” which appeared in the anthology Genius Loci, edited by Jaym Gates in 2016. I should note that my story “Well of Tranquility” also appears in Genius Loci.  The only letter represented by fewer authors is X (two authors and four stories).

The title provides the setting for quỳnh’s story, which looks at the plight of refugees fleeing from war in Việt Nam. The narrator’s family owns a boat and uses it to attempt to ferry the refugees from their homeland to a safer place. Unfortunately, the sea is as dangerous and implacable enemy as the militaries fighting over their home countries. The threats of storms and pirates are pervasive and as the story opens, it is clear that over several attempts to ferry people to safety, the family has failed, resulting in the deaths of many refugees and family members, and the ultimate return to Việt Nam.

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A to Z Reviews: “The Spring of Dongke Temple,” by Qitongren

A to Z Reviews: “The Spring of Dongke Temple,” by Qitongren

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A to Z ReviewsQitongren offers a mix of fantasy and fairy tale with “The Spring of Dongke Temple.” Originally published in Chinese in 2007, it was translated by Liu Jue in 2019 for publication in the anthology of Chinese science fiction Ticket to Tomorrow and Other Stories. In 2020, Ann and Jeff VanderMeer selected the story for The Big Book of Modern Fantasy.

“The Spring of Dongke Temple” opens with a cautionary tale of a woodsman who stumbled upon the isolated Buddhist temple in the mountains and after a brief stay there returned to his family refusing to say anything about the temple except to note the proliferation of swallows in the ruins. The brief description gives the temple a feeling that it might not be out of place in the tales of H.P. Lovecraft.

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A Red Desert World, Full of Mystery: Old Mars, edited by George R.R. Martin & Gardner Dozois

A Red Desert World, Full of Mystery: Old Mars, edited by George R.R. Martin & Gardner Dozois

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Old Mars (Bantam Books, October 8, 2013). Cover by Stephen Youll

This isn’t a Sword & Planet collection per se but is likely to prove interesting to readers of S&P.

It’s a big book, 548 pages of reading in 15 longish stories and an introduction by Martin. All the tales evoke the kind of Mars that readers of Burroughs, Bradbury, and Brackett will recognize — a red desert world full of mystery.

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Not Fade Away: The Cemetery of Untold Stories by Julia Alvarez

Not Fade Away: The Cemetery of Untold Stories by Julia Alvarez

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The Cemetery of Untold Stories (Algonquin Books, April 2, 2024). Cover artist unknown

We live our life telling a story

Of what we’ve said and done

But lately you caused me to worry

That you’re spinning fiction

— Amanda Fish, “The Hard Way,” Kingdom

What perhaps separates humans from our fellow creatures is the capacity, indeed the compulsion, of storytelling. Hardly an original observation on my part (cf., The Stortelling Animal by Jonathan Gottschall), though for all we know the white whale biting off the mad captain’s leg is vocalized in Cetacea pods.

Stories, and discussions of stories, are why you are all reading here. Of course it’s not limited to the literate classes, as the rich oral tradition of ancient cultures demonstrates, not to mention the popularity among screen-addicts of  so-called “reality shows” of otherwise untalented people whose only achievement is being on a reality show. Though even that low level of celebrityhood is further diluted in an era where just about everyone has their own Instagram following.

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A to Z Review: “Cronus,” by Marianne Puxley

A to Z Review: “Cronus,” by Marianne Puxley

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A to Z Reviews

Just as Avis Pabel only published one science fiction story, so, too, did Marianne Puxley. Puxley’s only sf short story, “Cronus,” appeared in the May 1989 issue of Interzone.

Rhea and Tyrrell area married and expecting a baby in a rather amorphous future. Tyrrell sees Rhea’s pregnancy as a chance to move into a Community called Cronus, which he sees as a beneficial place to live, safe from the “baneful Greenwomen” who are presented as some sort of bogeyman living outside the safe communities. Rhea isn’t sure it is the right choice, but eventually agrees.

Life for Rhea in the Community is anything but idyllic. She dislikes the regimentation and finds that being a woman means she is a second class citizen, expected to be a housekeeper and to take care of her husband who does useful work for the Community. Most of the women belong to the Wives’ Federation, but Rhea refuses to join, seeing it as a step toward giving permission to have her individuality taken from her.

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Neverwhens: Ancient Civilizations Topple and the Age of Heroes ends in the Blades of Bronze Trilogy by Mark Knowles

Neverwhens: Ancient Civilizations Topple and the Age of Heroes ends in the Blades of Bronze Trilogy by Mark Knowles

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Seriously, how many D&D encounters did this one scene inspire? (Jason and the Argonauts, 1963)

I sincerely doubt any Black Gate reader needs an education in who Ray Harryhausen was or why his films, despite the sea-change in special effects technology, remain seminal classics (I’ve been making my way through a bunch of his swashbuckling adventures with my Zoomer son, who notes, time and again, how ‘cheesy and awesome’ the stop motion is, but also calls out how perfect at times the strange movements are at making monsters seem, well…strange and *monstrous* in a way that smooth CGI does not).

I myself am young enough that the only Harryhausen film I saw in theaters was his grand finale, Clash of the Titans (1981), though thanks to Saturday matinee TV I had a steady diet of all that came before.

Clash itself is interesting, because, written by Beverley Cross, while ostensibly the story of Perseus — one of the few *likable* Greek heroes, and one of the few with a reasonably “happy” ending to his tale — the film is to large extent a reworking of an early film Cross had done with Harryhausen, Jason and the Argonauts (1963).

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A to Z Review: “Basic Agreement,” by Avis Pabel

A to Z Review: “Basic Agreement,” by Avis Pabel

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A to Z Reviews

“Basic Agreement,”  by Avis Pabel appeared in the September 1958 issue of Astounding and was reprinted in the December UK issue of  the magazine. It is the only story by Pabel that appears in the Internet Science Fiction Database, although she wrote articles under the name Avis Brick that appeared in the magazine Persuasion, which was published by the Nathaniel Branden Institute, part of the Objectivist movement championing Ayn Rand.

“Basic Agreement” is an odd little story of Marjorie, who insists she sees something out of the  corner of her eye in her bedroom each night after her parents put her to bed. Her father has little patience with her shenanigans. The fact that Marjorie is unable to describe what she saws just serves to make him less willing to offer her sympathy. Instead, he compares Marjorie to her older sister Jill, who has apparently died and was either a perfect child or whose death has sanctified her in her parents’ memories.

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Conan Well Captured: Conan: City of the Dead by John C. Hocking

Conan Well Captured: Conan: City of the Dead by John C. Hocking

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Conan: City of the Dead (Titan Books, June 18, 2024). Cover by Jeffrey Alan Love

John C. Hocking’s (1960 -) Conan and the Emerald Lotus came along in 1995, near the end of the Tor Conan pastiche series of books. I’d read a lot of pastiches early but by ’95 was burned out on them and stopped picking up the new ones. So I never read Hocking’s entry. Until now.

In 2024, Titan Books published Conan City of the Dead, by Hocking. It contained Conan and the Emerald Lotus, and a second pastiche called Conan and the Living Plague. Hocking had written Living Plague under contract with Conan Properties, but when the ownership changed hands, the book fell into a limbo that lasted some 25 years.

The wait must have been agonizing for Hocking, but the result was a very nice hardcover printing of both his books together, with some neat interior illustrations by Richard Pace. The cover art is uncredited.

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