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Tor Double #9: Isaac Asimov’s The Ugly LIttle Boy and Theodore Sturgeon’s The [Widget], the [Wadget], and Boff

Tor Double #9: Isaac Asimov’s The Ugly LIttle Boy and Theodore Sturgeon’s The [Widget], the [Wadget], and Boff

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Cover for The Ugly Little Boy by Alan Gutierrez
Cover for The [Widget], the [Wadget], and Boff by Carol Russo
The ninth Tor Double collects novellas by Isaac Asimov and Theodore Sturgeon, the only entries by either author. The Asimov’s story is The Ugly Little Boy and Sturgeon offers the oddly titled The [Widget], the [Wadget], and Boff. This volume is the first to include two stories that did not win, or even receive a nomination, for any awards. Leigh Brackett’s story in the previous volume one up winning the 2020 Retro Hugo Award.

Theodore Sturgeon’s The [Widget], the [Wadget], and Boff was originally published in F&SF in November, 1955. The strange title is entirely fitting for the strange story Sturgeon has to tell. Just as two of the words in the title are framed by brackets, the story has a science fictional device framing it, in the form of a report by two aliens visiting Earth. In their report, which partly looks at whether or not “Synapse Beta sub Sixteen” exists in humans (and whether the species can survive without it), but also serves as an indictment of one of aliens by the other, the aliens set words in brackets when there is no exact English equivalent for what they are attempting to say.

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A Kind Heart and the Right Sort of Hands: Carbonel, the King of the Cats by Barbara Sleigh

A Kind Heart and the Right Sort of Hands: Carbonel, the King of the Cats by Barbara Sleigh

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Carbonel the King of the Cats by Barbara Sleigh (Bobbs-Merrill Company, 1957). Illustrated by V.H. Drummond

Over the past few years, I’ve started tracking down books I read as a child and still remember, to see what I think of them now. Some of them I’ve had to buy; but I live close to a university library, which still has others on its shelves. I just reread Barbara Sleigh’s Carbonel, the King of the Cats (illustrated by V.H. Drummond), originally published 1955, and enjoyed it enough to think it deserves a review.

Sleigh was clearly an aelurophile; this book is dedicated to one cat and to the shades of four others. I’m pleased that its feline hero, Carbonel, is a black cat (as his name suggests!) — a breed that doesn’t get as much love as it deserves. He has very convincing catlike manners, mixing condescension, sarcasm, and occasional affection. At the same time, he fits one of the classic story formulas, being a lost heir of royal birth, with a title that he hopes to reclaim.

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Transcendent and Creepy: Rich Horton on The Forever War by Joe Haldeman

Transcendent and Creepy: Rich Horton on The Forever War by Joe Haldeman

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The Forever War (Ballantine Books, 1976). Cover by Murray Tinkelman

Rich Horton continues to review classic science fiction novels at his blog, Strange at Ecbatan. Last month he turned his attention to Joe Haldeman’s The Forever War, on the 50th anniversary of its release.

It’s definitely worth reading — a bitter and cynical look at war, some cool ideas including the effect of time dilation and lots of physics, a somewhat transcendent but pretty creepy conclusion. And, also, some very ’70s things, including pretty questionable — at times downright offensive — “sexual revolution” era sexual politics, and oddly 70s-ish notions of dystopia. My impression… I liked it then and I endorsed its Hugo and Nebula wins.

The Forever War is one of the most honored science fiction novels of all time. First published by St. Martin’s Press in 1975, it swept every major SF Award, including the Hugo, Nebula, and Locus awards. In 1987 it placed 18th on Locus’ list of All-Time Best SF Novels, beating out The Martian Chronicles, Starship Troopers, and Rendezvous with Rama. It’s been in print nearly continuously for the last four and a half decades. Here’s some of the most noteworthy editions.

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Tor Doubles #8: Leigh Brackett’s The Nemesis from Terra and Edmond Hamilton’s Battle for the Stars

Tor Doubles #8: Leigh Brackett’s The Nemesis from Terra and Edmond Hamilton’s Battle for the Stars

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Cover for The Nemesis from Terra by Tony Roberts
Cover for Battle for the Stars by Bryn Barnard

This volume includes the story Nemesis from Terra by Leigh Brackett and Battle for the Stars, byt Edmond Hamilton. There are two significant distinctions for this volumes. The two authors represented  were married to each other and one of the stories was previously included in the Ace Double series. The Tor Double was originally published in May 1989.

The Nemesis from Terra was originally published as “Shadow Over Mars” in Startling Stories in Fall, 1944. It was previously published as part of an Ace Double (F-123, with Robert Silverberg’s Collision Course) in 1961.  The Nemesis from Terra is the first of three Brackett stories to be published in the Tor Doubles series.

Although set on Mars in the far future, as with many of Brackett’s Martian stories, The Nemesis from Terra feels more like a fantasy novel than a science fiction novel. It is a descendant of the Mars of Edgar Rice Burroughs and could easily be classified with the stories of Robert E. Howard, neither of which is a surprise.

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The Public Life of Sherlock Holmes: 52 Weeks: 52 Sherlock Holmes Novels – Kurland’s The Infernal Device

The Public Life of Sherlock Holmes: 52 Weeks: 52 Sherlock Holmes Novels – Kurland’s The Infernal Device

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So, Paul Bishop is a friend of mine, and he wrote the very first post in Black Gate’s award-nominated Discovering Robert E. Howard. He talked about Howard’s boxing stories. Before those Pulps dried up, Howard wrote prolifically for them, with Sailor Steve Costigan his most popular creation.

Paul is a major Westerns guy, and with Scott Harris, he put together 52 Weeks: 52 Western Novels, in which a slew of folks wrote about their favorite Westerns. It’s a cool format, and 52 Weeks: 52 Western Movies, and 52 Weeks: 52 TV Westerns, followed. The ’52’ number flows nicely with reading one a week, right? I have read the Novels, and Movies, books, and I think they’re cool for Westerns fans.

Paul reached out to me last year, and asked if I was interested in contributing a chapter to a 52 Weeks: 52 Sherlock Holmes Novels, project. Write about a non-Doyle pastiche? Heck yeah!!! In the end, I wrote four of them, so I’ve got a good 7.6% of the reviews. I covered Hugh Ashton’s The Death of Cardinal Tosca; John Gardner’s The Return of Moriarty; Michael Kurland’s The Infernal Device: and Frank Thomas’ Sherlock Holmes & The Sacred Sword.

We all followed the same format; well, we were supposed to. I know I did. So, to help promote this cool book, which came out last Friday (paperback and digital), here’s the first of the four I wrote. I’ve long been a fan of Kurland’s Moriarty books, and this is where it all started for me with him. Enjoy!

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Tor Doubles #6: Barry B. Longyear’s Enemy Mine and John Kessel’s Another Orphan

Tor Doubles #6: Barry B. Longyear’s Enemy Mine and John Kessel’s Another Orphan

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Cover for Enemy Mine by Maren
Cover for Another Orphan by Tom Kidd

 

The sixth Tor Double not only includes the two title stories, Barry B. Longyear’s Enemy Mine and John Kessel’s Another Orphan, but also includes an excerpt from Gwyneth Jones’s novel Divine Endurance.  Divine Endurance was originally published in Britain in 1984 and in the U.S. as a hardcover by Arbor House in 1987. Tor was scheduled to publish a paperback edition of the novel in May of 1989, two months after this Tor Double hit the shelves. With the two title stories totaling only 158 pages, the decision was made to add a twenty page excerpt of the forthcoming novel.

Enemy Mine was originally published in Isaac Asimov’s Science Fiction Magazine in September, 1979. It won the Hugo Award and the Nebula Award, as well as the Locus poll. Enemy Mine kicked off Longyear’s “Dracon” series and was the basis for the 1985 film Enemy Mine, starring Dennis Quaid and Louis Gossett, Jr.

The year after the initial publication and success of Enemy Mine, Longyear published an extended version of the story, which has generally superseded the version that won the Hugo and Nebula Award. It is this revised version that is included in this volume.

Enemy Mine is set during a war between humans and the lizard-like Drac, both of whom see the other race as trying to impinge on their own nascent interstellar hegemonies. It is clear from the beginning that there is little communication between the races and the war has been taking place for quite some time and there is no end in sight. …

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Writ in Water: V.E. Schwab’s The Invisible Life of Addie LaRue

Writ in Water: V.E. Schwab’s The Invisible Life of Addie LaRue

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How many times have you heard (or even repeated) the old adage, “Be careful what you wish for?” Of course it’s a cliché, a commonplace beloved of parents and primary school teachers the world over, but such chestnuts sometimes actually contain the distilled wisdom of the human race, and you ignore them at your peril, as is demonstrated (or not, maybe) in Victoria Elizabeth Schwab’s 2020 dark fantasy, The Invisible Life of Addie LaRue. It’s a spirited, stimulating read that gives you something to think about.

The story begins in a small French Village, Villon-sur-Sarthe, on a summer evening in 1714. A young woman named Addie LaRue is “running for her life.” Her family has affianced her to an inoffensive but crushingly dull young man. Addie, however, doesn’t want her life to be yet one more colorless copy of the bland existence that her mother (and her mother before her, and her mother before her, and her mother before her…) has led.

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Houses of Ill Repute: Witchcraft for Wayward Girls by Grady Hendrix and Starling House by Alix E. Harrow

Houses of Ill Repute: Witchcraft for Wayward Girls by Grady Hendrix and Starling House by Alix E. Harrow

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Witchcraft for Wayward Girls by Grady Hendrix (Berkley, January 14, 2025) and
Starling House by Alix E. Harrow (Tor Books, October 3, 2023). Covers: uncredited, Micaela Alcaino

No, not that kind of house of ill repute (though I confess I thought the semi-salacious implication of the headline might get some of you to read a bit further, though of course not you who are reading this now, just all those others). Rather the gothic trope of the creepy house, the mansion where ancestral secrets lie, where bad things happen. From The House of Seven Gables to The Fall of the House of Usher to Wuthering Heights to more contemporary (all the more so because they actually existed) houses of horror such as Colson Whitehead’s Nickel Academy and Tananarive Due’s Dozier School of Boys,  these are places that present a facade of safety, but are far from it.

That’s the kind of  house found in Grady Hendrix’s Witchcraft for Wayward Girls. Don’t be put off by the middle school YA sounding title. Homes for “wayward girls” actually existed in mid-20th century Florida. It was where unmarried pregnant teenagers were sent to have their babies, give them up for adoption, and then return to “normal” life with their and their family’s “reputations” intact.  

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Tor Doubles #5: Poul Anderson’s No Truce with Kings and Fritz Leiber’s Ship of Shadows

Tor Doubles #5: Poul Anderson’s No Truce with Kings and Fritz Leiber’s Ship of Shadows

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Cover for No Truce with Kings by Royo
Cover for Ship of Shadows by Robin Wood

 

Both Poul Anderson’s No Truce for Kings and Fritz Leiber’s Ship of Shadows originally appeared in issues of The Magazine of Fantasy and Science Fiction, Not only did their initial publication occur in the same periodical, but both of those original issues sported covers painted by Ed Emshwiller.

No Truce for Kings was originally published in F&SF in June, 1963. It won the Hugo Award and received a Prometheus Hall of Fame Award in 2010. No Truce for Kings In is the first of three Anderson stories to be published in the Tor Doubles series.

Colonel James Mackenzie is the commander of Fort Nakamura in a post-apocalyptic California who receives a message that Judge Brodsky has been deposed and replaced by Judge Fallon. This message is the indication to Mackenzie that a civil war has broken out. Although Mackenzie and his troops are loyal to the old regime, the letter makes it clear that Mackenzie’s son-in-law, Thomas Danielis, is aligned with the rebels, as well as serving as a hostage for the troops who are coming to relieve Mackenzie of his command.

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Half a Century of Reading Tolkien: Part Four – The Return of the King by JRR Tolkien

Half a Century of Reading Tolkien: Part Four – The Return of the King by JRR Tolkien

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A wild light came into Frodo’s eyes. ‘Stand away! Don’t touch me!’ he cried. ‘It is mine, I say. Be off!’ His hand strayed to his sword-hilt. But then quickly his voice changed. ‘No, no, Sam,’ he said sadly. ‘But you must understand. It is my burden, and no one else can bear it. It is too late now, Sam dear. You can’t help me in that way again. I am almost in its power now. I could not give it up, and if you tried to take it I should go mad.’

Frodo to Sam in Mount Doom from The Return of the King

And so we come to the end of the first part of my return to JRR Tolkien’s work. For those not following along with my earlier essays (links at the bottom), inspired by a hate watch of Peter Jackson’s Lord of the Rings movies, I picked up The Fellowship of the Ring and quickly succumbed to a complete reread of the trilogy. As I set out to write an article about Fellowship, I instead, found myself realizing I’ve been reading the professor’s books for fifty years and how much they’d meant to me.

Last time, I wrote that when I was young, I tended to struggle through bits of The Two Towers. That was never the case with The Return of the King, something that I found to remain so on this reading. It’s got wilder and bigger battles than the previous book, incredible scenes (including one of the greatest in all three books and that Jackson insanely cut omitted from the theatrical release!), and Frodo’s and Sam’s journey becomes more desperate and its evocation of Christ-like self-sacrifice more potent. The penultimate chapter, The Scouring of the Shire, portrays the transformation wrought on the four hobbits by their undertakings. Finally, the book ends with one of my favorite closing lines of any book.

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