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Author: John ONeill

The Bio of a Fantasy Giant: To Leave a Warrior Behind: The Life and Stories of Charles R. Saunders, the Man Who Rewrote Fantasy, by Jon Tattrie

The Bio of a Fantasy Giant: To Leave a Warrior Behind: The Life and Stories of Charles R. Saunders, the Man Who Rewrote Fantasy, by Jon Tattrie

To Leave a Warrior Behind (McClelland & Stewart, January 20, 2026)

Charles Saunders, the Father of Sword & Soul, was one of the most talented and beloved heroic fantasy writers of the last fifty years. That he died unknown, and was buried in an unmarked grave in Nova Scotia in June 2020, is one of the great tragedies of our genre.

The thing about great writers is that they don’t stay buried. When the news of Charles’ untimely death began to spread, it was met with an outpouring of grief and heartfelt tributes. David C. Smith wrote the touching memorial Charles, My Friend in December 2020, and Michael de Adder produced a superb comic strip bio for the Washington Post three years after his death. Greg Mele wrote Black Gate‘s obituary, and Seth Lindberg crafted a detailed survey of his most famous work in the Imaro Series Tour Guide. And a year after Charles’s death, Jon Tattrie raised $17,000 to erect a gravestone to mark his grave.

Now comes word of a more enduring tribute, and one that I hope will help the world understand and appreciate Charles’ remarkable legacy. Jon Tattrie, who worked alongside Charles for two years at the Halifax Daily News, has written To Leave a Warrior Behind: The Life and Stories of Charles R. Saunders, the Man Who Rewrote Fantasy, which will be released in hardcover next month from McClelland & Stewart.

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The Best Vintage Paperbacks of 2025

The Best Vintage Paperbacks of 2025

Chris Gunter’s choice for the best vintage paperbacks of 2025. Finally a socially relevant Year’s Best list

Ah, the end of the year. When social media — and my email in-box — are filled with Best of the Year lists.

I’m not complaining. I love ’em. But the ones I most enjoy are (of course) lists that include delightful old paperbacks finds. Or are maybe, I dunno, exclusively old paperbacks, since that’s about 90% of my own reading these days.

This year I especially enjoyed old books by Lin Carter (Flashing Swords 2), Jerry Pournelle (West of Honor), C.J. Cherryh (Faded Sun: Kutath) and Clifford D. Simak (City). Not too surprisingly, my favorite 2025 Best of the Year list (so far) has been a short post by Chris Gunter on the Vintage Paperback and Pulp Forum on Facebook, which enthusiastically included classics by Alfred Bester, Keith Roberts, Bob Shaw and others.

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Goth Chick, January 13, 1966 – November 18, 2025

Goth Chick, January 13, 1966 – November 18, 2025

Sue Granquist, aka Goth Chick

Sue Granquist, the Chicago blogger and technology professional who wrote Black Gate‘s Goth Chick column every Thursday for sixteen years, passed away unexpectedly on Tuesday.

Sue experienced a cancer scare earlier this year that led to an extended hospital stay and multiple surgeries. She was on the mend, and when we spoke Tuesday afternoon, she was already back at work — as the Director of Supply Chain Operations at CDW in downtown Chicago — and was looking forward to returning to her regular Thursday blog spot. She passed away three hours later. She was 59 years old.

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New Treasures: Year’s Best Canadian Fantasy and Science Fiction, edited by Stephen Kotowych

New Treasures: Year’s Best Canadian Fantasy and Science Fiction, edited by Stephen Kotowych


Year’s Best Canadian Fantasy and Science Fiction , Volumes 1-3 (Ansible Press, December 13, 2023,
November 22, 2024, and October 21, 2025). Covers by Tithi Luadthong, Xiaofan Zhang, and Pascal Blanché

I was delighted to see (on S. M. Carrière’s Facebook feed) news of the upcoming launch of Volume Three of Year’s Best Canadian Fantasy and Science Fiction, edited by Stephen Kotowych. The book is already available in digital and print formats, and the big launch party happens at Bakka-Phoenix Books in Toronto this Saturday.

As long-time readers of this blog know, I’ve been a huge fan of Year’s Best SF anthologies since I first discovered Terry Carr’s legendary The Best Science Fiction of the Year (1972-1987) in the mid-70s. I dearly miss Gardner Dozois’ long-running The Year’s Best Science Fiction, which ran for 35 years (1984-2018) and, in more recent decades, the Year’s Best series from Rich Horton, Neil Clarke, Jonathan Strahan, and Paula Guran — all of which folded in just the last few years.

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Spooky Sword & Sorcery for Halloween: Samhain Sorceries edited by D.M. Ritzlin

Spooky Sword & Sorcery for Halloween: Samhain Sorceries edited by D.M. Ritzlin


Samhain Sorceries, edited by D.M. Ritzlin (DMR Books, September 24, 2022). Cover by Adam Burke

The mighty Dave Ritzlin, mastermind of DMR Books, continues to refresh his impressive backstock. Just in time for Halloween he’s re-released his popular collection of spooky Sword & Sorcery, Samhain Sorceries, with a brand new cover. Here’s Dave.

Samhain Sorceries was DMR Books’ best-received release of the past few years. With its unique concept and outstanding roster of authors, it’s not hard to see why. The fantastic new cover art was created by Adam Burke, and another of his paintings will adorn the follow-up volume, Walpurgis Witcheries, due out next spring.

Samhain Sorceries contains ten brand new tales, including a new story by Keith Taylor featuring Felimid mac Fal, hero of his classic Bard series. Order copies directly from the DMR website. And if you’re a fantasy author, note that submissions for the follow-up volume, Walpurgis Witcheries, are open until October 31st.

Stray Missiles, Alien Plagues, & Underwater Laboratories: September-October Print Science Fiction Magazines

Stray Missiles, Alien Plagues, & Underwater Laboratories: September-October Print Science Fiction Magazines


September-October 2025 issues of Analog Science Fiction & Fact and
Asimov’s Science Fiction. Cover art by Tithi Luadthong/Shutterstock

It’s the 500th issue of Asimov’s Science Fiction! That explains why I had to start stacking them sideways in 2004. Sheila Williams celebrates this incredible milestone in her editorial, touching on just a sampling of the truly extraordinary fiction to appear in the magazine over the past 48 years. Here’s an excerpt.

Under our first editor, George H. Scithers, we published great tales by writers like Barry Longyear, Roger Zelazny, and Somtow Sucharitkul. Kathleen Moloney’s tenure lasted less than a year, but during that time we published Connie Willis’s earliest award-winning stories — “A Letter from the Cleary’s” and “Fire Watch,” as well as David Brin’s “The Postman.” Important work published by Shawna include Octavia Butler’s “Blood Child,” Greg Bear’s “Hardfought,” George R.R. Martin’s “Portraits of his Children,” Kim Stanley Robinson’s “Green Mars,” and Robert Silverberg’s “Sailing to Byzantium.”

Gardner Dozois’s years at the helm brought us James Patrick Kelly’s “Think Like a Dinosaur,” Pat Murphy’s “Rachel in Love,” Neal Barrett, Jr.’s “Ginny Sweethips’ Flying Circus,” Terry Bisson’s “Bears Discover Fire,” Allen M. Steele’s “The Death of Captain Future,” Michael Swanwick’s “Scherzo with Tyrannosaur,” Charles Stross’s “Lobsters,” and much more.

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Hive Mind Weddings, Worm Songs, and Space Pirates: July-August Print Science Fiction Magazines

Hive Mind Weddings, Worm Songs, and Space Pirates: July-August Print Science Fiction Magazines


July-August 2025 issues of Analog Science Fiction & Fact and Asimov’s Science
Fiction
. Cover art by GrandeDuc/Shutterstock, and Maurizio Manzieri

Back in February the last surviving print science fiction magazines, Analog, Asimov’s Science Fiction, and The Magazine of Fantasy & Science Fiction, were sold to Must Read Books, a new publisher backed by a small group of genre fans. I was apprehensive about what that meant for all three magazines, and indeed there were several hiccups, especially related to distribution. I had to wait more than a month after the on-sale dates for the July/August issues of Asimov’s SF and Analog to show up at my local bookstore, for example. But show up they did, and in fact the new September/October issues seem to be arriving more or less on time. Now if only we could see a new issue of F&SF

The July/August issues are just as enticing as usual, with contributions from Rich Larson, David Gerrold, Suzanne Palmer, Dominica Phetteplace, Stephen Case, Robert Reed, Tobias S. Buckell, Derek Künsken, William Preston, Lavie Tidhar, Mary Soon Lee, Shane Tourtelotte, M. Ian Bell, Sean Monaghan, and many more.

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Why Did This Lot of Science Fantasy Digests Sell for $1,580? Michael Moorcock, That’s Why

Why Did This Lot of Science Fantasy Digests Sell for $1,580? Michael Moorcock, That’s Why

28 UK Science Fantasy Magazines, sold last week on eBay for $1,580.55

After 25 years of buying vintage digest magazines on eBay, I’m rarely surprised. But I was left with my jaw hanging open last week when a set of 28 Science Fantasy magazines offered on eBay (above) blew past my $98 maximum bid, and ended up selling 9 minutes later for $1,580.

That’s not normal. I bought a set of 39 issues of its sister magazine New Worlds just a few days earlier for $70, not even $2 per issue. Copies of Science Fantasy do tend to command higher prices, but not that much higher. So what’s going on?

It didn’t take long to figure out. Turns out the lot happened to include the June 1961 issue, containing Michael Moorcock’s “The Dreaming City,” the first appearance of Elric of Melniboné.

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Vintage Empires: James Nicoll on Galactic Empires, Volumes One & Two, edited by Brian W. Aldiss

Vintage Empires: James Nicoll on Galactic Empires, Volumes One & Two, edited by Brian W. Aldiss

Galactic Empires, Volume One and Two (Orbit, October 1976). Covers by Karel Thole

My fellow Canadian James Nicoll continues to be one of my favorite SF bloggers, probably because he covers stuff I’m keenly interested in. Meaning exciting new authors, mixed with a reliable diet of vintage classics.

In the last two weeks he’s discussed Kate Elliots’s The Witch Roads, Axie Oh’s The Floating World, Ada Palmer’s Inventing the Renaissance, and Emily Yu-Xuan Qin’s Aunt Tigress, all from 2025; as well as Walter Jon Williams The Crown Jewels (from 1987), Wilson Tucker’s The Long Loud Silence (1952), C J Cherryh’s Port Eternity (1982), and John Brunner’s 1973 collection From This Day Forward. Now that’s a guy who knows how to productively use his leisure time. Not to mention caffeine.

But my favorite of his recent reviews is his story-by-story breakdown of Brian W. Aldiss’s massive two-volume anthology Galactic Empires, which made me want to read the whole thing all over again.

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Mechanical Trees and Mini-Woolly Mammoths: May-June Print Science Fiction Magazines

Mechanical Trees and Mini-Woolly Mammoths: May-June Print Science Fiction Magazines


May-June 2025 issues of Analog Science Fiction & Fact and Asimov’s Science
Fiction
. Cover art by Tithi Luadthong/Shutterstock, and IG Digital Arts & Annie Spratt

Back in February I was surprised to learn that the last surviving print science fiction magazines, Analog, Asimov’s Science Fiction, and The Magazine of Fantasy & Science Fiction, had all been sold to Must Read Books, a new publisher backed by a small group of genre fiction fans. I was very sad to see Analog & Asimov’s leave the safe harbor of Penny Press, where they’ve both sheltered safely for very nearly three decades as the magazine publishing biz underwent upheaval after upheaval.

But I was nonetheless cautiously optimistic. The magazines couldn’t continue to survive as they were, with 25+ years of slowly declining circulation — and indeed F&SF, while it claims to be an ongoing concern, has not published a new issue in nearly a year.

But after four months, that optimism is rapidly fading. The first issues from Must Read, the May-June Analog and Asimov’s, technically on sale April 8 – June 8, have yet to appear on the shelves at any of my local bookstores, and there’s been no word at all at when we can expect the July-August issues, scheduled to go on sale today. And there’s no whisper of when we might expect to see a new issue of F&SF at all.

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