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Author: Charles Gramlich

Good Cover Art Fires the Imagination: The Fantastic Art of Boris Vallejo

Good Cover Art Fires the Imagination: The Fantastic Art of Boris Vallejo

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The Fantastic Art of Boris Vallejo (Del Rey, May 1978). Cover by Boris Vallejo

I make no secret of the fact that when it comes to books, I’m first and foremost a fan of the prose and the stories. The cover art is important but secondary to me. But there’s no denying the power of good cover art to catch one’s eye, to fire the imagination, and to cement one’s memories of the stories. Genres such as Sword & Planet and Sword & Sorcery have been graced with some truly great covers over the years, from Krenkel, Frazetta, and Vallejo, to Jones, Kelly, Kirby, Bell, Royo, and many others.

When I walk past my shelves, the covers of favorite books leap out at me and evoke all kinds of pleasant memories and associations with what’s inside. Over the years, I’ve bought various art books and calendars from my favorite book cover artists. Last night I started paging through my copy of The Fantastic Art of Boris Vallejo, and I thought I’d share a few images and the connections they have for me to memorable reading.

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Into the World of Edgar Rice Burroughs, with Richard A. Lupoff and John Flint Roy

Into the World of Edgar Rice Burroughs, with Richard A. Lupoff and John Flint Roy

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Edgar Rice Burroughs: Master of Adventure by Richard A. Lupoff (Ace, 1968) and A Guide to Barsoom
by John Flint Roy (Ballantine Books, January 1976). Covers by Frank Frazetta and Boris Vallejo

Among my prized possessions are these two books. Edgar Rice Burroughs: Master of Adventure, by Richard A. Lupoff, 1965 from Ace books with an early cover by Frazetta, and A Guide to Barsoom by John Flint Roy, 1976, from Ballantine Books, with a cover by Boris Vallejo and some interior illustrations by Neal MacDonald.

Lupoff’s book has quite a bit of biographical material on ERB, but is mostly an examination of his work. It isn’t just a love affair with ERB but includes plenty of critical analysis. I find myself disagreeing with Lupoff on one particular conclusion he draws, but that’s material for another post. I much appreciated this comprehensive examination and refer to it often.

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The Sword & Planet of S. M. Stirling and Al Sarrantonio

The Sword & Planet of S. M. Stirling and Al Sarrantonio

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In the Courts of the Crimson Kings and The Sky People by S.M. Stirling (Tor Books, March 2008 and November 4, 2006). Covers by Gregory Manchess

In 2006 and 2008, Tor books sought a revival of Sword & Planet fiction with two books by S. M. Stirling. It didn’t quite work out but the readers got some interesting results, including a book that is now in my top ten of S&P novels.

First up was The Sky People, set on Venus in an alternate solar system where the planets are inhabitable and inhabited, much like the solar system of ERB, Brackett, and Moore. In the acknowledgements, Stirling even thanks ERB, Brackett and Otis Adelbert Kline, and mentions the Northwest Smith stories of Moore, as well as ERB’s “Wrong Way” Carson of Venus.

Stirling posits a space race that pits the US and their allies against the Soviets for control of this habitable solar system. When they land on Venus they find a jungle world, much like the Venus of ERB. It turns out to be inhabited by both Homo sapiens and Neanderthals, a mystery that is eventually solved. This one is definitely not Sword & Planet. It combines standard SF with hints of Pellucidar’s time lost world of dinosaurs and sabretooths. Fun but not stellar in my opinion.

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The Sword & Planet of Jack Vance: Planet of Adventure

The Sword & Planet of Jack Vance: Planet of Adventure

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The Planet of Adventure series by Jack Vance (DAW and Ace paperback editions)

Today, we come back from our excursion into the realm of Space Opera to our home territory of Sword & Planet fiction. One of the most unique S&P series I’ve ever encountered is the four-book series by Jack Vance (1916 – 2013) generally called the Planet of Adventure series. The stories take place on a planet called Tschai, and feature an earthman named Adam Reith.

In a future in which Earth has starships, a distress signal comes from Tschai, which orbits the “dim and aging” star Carina. An Earth ship is sent to investigate and is destroyed in orbit by a missile from the planet. Adam Reith and a companion escape on a scout ship and manage to make a hard landing. The companion is soon killed by the natives and Reith is left alone. The books chronicle his efforts to survive and return to Earth.

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A Halloween Reading List

A Halloween Reading List

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Ace Double #42900: Tower of the Medusa by Lin Carter, and Kar Kaballa by
George H. Smith (Ace Books, November 1969). Cover art by Jeff Jones and John Schoenherr

I’m working on a Halloween entry for the Swords & Planet League, and on a couple of posts about Jack Vance. In the meantime, I thought I’d run a few covers of books I’ve got in the house here but haven’t actually read yet.

First up are three doubles featuring Lin Carter, two from Belmont and one from Ace. The Tower of Medusa is from Ace, with the backing book being Kar Kaballa by George H. Smith. Some reviews call it S&P but a quick scan suggests more Space Opera to me. After I read it, if it’s S&P, I’ll discuss it further. Cover artist is listed as Kelly Freas but I saw someone claim it has a signature reading “Jones” and that it was Jeffrey Jones. This does not look like a Jones to me and I can’t find any signature on my book.

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The Heroic Fantasy of C.L. Moore

The Heroic Fantasy of C.L. Moore

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Jirel of Joiry (Ace Books, November 1982). Cover by Stephen Hickman

While Edmond Hamilton introduced me to Space Opera, his wife, Leigh Brackett, and another woman writer, Catherine Lucille Moore (1911 – 1987), showed me the kind of emotional power these stories could wield. Moore was an influence on Brackett, and both of these writers wrote beautiful and poetic prose, which is something I always look for in the books I take home with me, although it’s not something I often find. (Robert E. Howard was another writer who could create that kind of prose, and both Moore and Brackett acknowledged him as an influence.)

Moore is known today for two genres that she did stellar work in. Neither of those is Sword and Planet, but one of them is Sword & Sorcery. Her Jirel of Joiry stories are exotic and luminescent. Jirel is one of the earliest flame-tressed female warriors in fantasy fiction. Depending on how far afield I eventually travel with this series, we may well come back to Jirel.

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The Sword & Planet of Edmond Hamilton, Part II

The Sword & Planet of Edmond Hamilton, Part II

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The Star Kings by Edmond Hamilton (Paperback Library, November 1970). Cover artist unknown

See Part I of The Sword & Planet of Edmond Hamilton here.

Edmond Hamilton’s Kaldar tales seem very much an homage to ERB’s Barsoom stories. An Earthman adventurer named Stuart Merrick is sent to Kaldar by a group of scientists. He finds himself a princess to love and becomes that world’s greatest warrior, and at the end of the first tale is drawn back toEearth by those same scientists. When asked what he found, he says, “My world.”

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The Sword & Planet of Edmond Hamilton, Part I

The Sword & Planet of Edmond Hamilton, Part I

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Crashing Suns by Edmond Hamilton (Ace Books, 1965). Cover by Ed Valigursky

Edmond Hamilton, who I’ve mentioned here before as Leigh Brackett’s husband, wrote mostly Science fiction and I consider him one of the first generation of Space Opera writers. And one of the best of the bunch. You might wonder what Space Opera is and how it differs from Sword & Planet fiction, as well as from more mainstream SF. Well, let me explain.

Space Opera was coined to be used pejoratively, to denigrate a certain type of SF in which action and drama were king. This type of story supposedly only used the trappings of SF to tell an adventure tale rather than engaging with futuristic ideas. And the trappings included such things as ray guns, faster-than-light travel, and space battles.

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Space Opera vs Sword & Planet: Flash Gordon

Space Opera vs Sword & Planet: Flash Gordon

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Flash Gordon is sometimes labeled Sword & Planet fiction. It meets quite a few of the characteristics. It has an Earthman, Flash, ending up on a strange world where he engages in battles with strange monsters and weird humanoid aliens, including winged men, bird riders, lion men, and others. However, it fails the S&P test on one major feature, the primary weapon used. When Flash is first challenged, if at all possible, he reaches for a ray gun rather than a sword.

John Carter, Dray Prescot, Jandar of Callisto, and Ruenn Maclang of Talera reach for a sword. For this reason, since “sword” is the very first word in Sword & Planet, I tend to classify the Flash Gordon stories as Space Opera and put them in a category of S&P adjacent. It’s a matter of taste, of course. I tend to be a splitter rather than a lumper, which means I tend to separate genres along narrower lines than some other folks. The images I’ve posted today, downloaded as public domain or as stills from the movie, illustrate this feature of the Flash stories.

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The Sword & Planet of Leigh Brackett

The Sword & Planet of Leigh Brackett

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The Secret of Sinharat and People of the Talisman (Ace Double M-101, 1964). Covers by Ed Emshwiller

Leigh Brackett (1915 – 1978) is my favorite from among the second generation of Sword & Planet writers (S&P). Many people I meet recognize her name from her association with Star Wars: The Empire Strikes Back, for which she wrote the initial script. Or for the script to The Big Sleep, which she also wrote. Or, for several western movies she wrote the scripts for.

Those don’t mean anything to me, though. I know her from her Space Opera and S&P books, particularly the series featuring Eric John Stark.

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