Donald J Sobol, the man who created greatly under-rated detective Leroy “Encyclopedia” Brown, died last week of natural causes at the age of 87.

Sobol, a clerk at the New York Public Library, published Encyclopedia Brown: Boy Detective in 1963. It was the first of what eventually became 28 volumes featuring the genius boy detective.

While the book was an instant hit, and the adventures of Encyclopedia Brown entertained generations of young readers, it took dogged persistence for Sobol to get his creation in print. According to later interviews, it was rejected no less than twenty-four times before Penguin Books bought it.

Sobol’s Encyclopedia Brown books, really collections of short stories, follow the boy detective and his friends as he solved mysteries in his hometown of Idaville for “25¢ per day plus expenses.” Occasionally Encyclopedia would assist his father, the chief of police, solve more serious crimes, but usually he was matching wits with a local gang of bullies led by Bugs Meany.

Sobol continued writing Encyclopedia Brown books his entire career, publishing five new volumes between 2000 and 2010. The most recent, Encyclopedia Brown and the Case of the Carnival Crime, was released in 2011. A twenty-ninth book, Encyclopedia Brown and the Case of the Soccer Scheme, is scheduled for release this October, in advance of the fiftieth anniversary of the release of Encyclopedia Brown: Boy Detective next year. HBO aired 10 half-hour episodes of Encyclopedia Brown, a live action version of the books with Scott Bremner in the title role, in 1989.

Sobol wrote 50 additional books in his lifetime, including the popular Two-Minute Mysteries and Secret Agents Four. He was born in New York City in 1924 and served in World War II before becoming a clerk at the New York Public Library. The success of the Encyclopedia Brown books allowed him to move to Florida to become a full time writer.

He will be missed.

I came to Ray Bradbury at what is likely a later age than most. I never had to read Fahrenheit 451 in school; if I read one of his short stories as a student I have no recollection. Several years ago, in a desire to start filling in some gaps I had in classic genre fiction, I gave Fahrenheit 451 a try. It was a powerful read and made a profound impact on me. It prompted me to seek out more Bradbury—and I’ve been hooked ever since.

Since then I’ve marveled in the wonders of Dandelion Wine, The Golden Apples of the Sun, The October Country, The Halloween Tree, Something Wicked This Way Comes, and The Martian Chronicles. If somehow you haven’t read any Bradbury yet, my advice is to pick any of the above titles and dive in. I’d recommend one over the others, but there’s no need. They’re all pretty much brilliant. You won’t be disappointed.

I’ve always been a little leery of science fiction and have read far more deeply of fantasy. Rightly or wrongly, my perception is that SF worships at the altar of technology, and is fixated upon cold, clinical subject matter for which I have little interest. But if the genre contained more books like The Martian Chronicles, I might view it a lot differently (a parenthetical aside: Though it may be the subject of a catchy song, to call Bradbury “the greatest sci-fi writer in history” isn’t accurate. Dark fantasy, horror, soft sci-fi, traditional literary fiction—Bradbury has written in them all, and sometimes all at once. He is in many ways genre-defying). Bradbury’s stories are in tune with our humanity and his fiction is life-affirming. They remind us that We’re human, and we’re alive, damn it. Bradbury often said that he loved life and was driven to write not only by his love of libraries and of reading, but of the very act of living itself. And that’s potent fuel for a lifetime of stories.

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Ray Bradbury has died, chronologically at age 91, though he managed throughout his career to maintain the awe and wonder of a 12-year old.

Here is a picture of him surrounded by one of the many anachronisms he loved,  something called printed books.

And here’s something I wrote a while ago about his influence on me.

Earlier this evening I heard the sad news that one of comics’ great legends, Ernie Chan, has passed away. Ernie was set to appear at the BigWow Comicfest in San Jose this weekend, so his death comes as a real surprise to those of us who expected to see him there.

I wanted to post a tribute in the form of my favorite Chan images. You can see that tribute right here. Some of these he painted, some he penciled and inked, and some he only inked — but Ernie’s inks were some of the most powerful in the world of comics.

When I was a kid I couldn’t get enough of Conan the Barbarian and its black-and-white companion magazine The Savage Sword of Conan. But I was incredibly picky about the art in my comics — if the art didn’t blow me away, I wouldn’t buy the comic. Plus, I had the seriously limited budget of a child, so I had to be impressed by the art or I left the book sitting on the rack.

Whenever I found a Conan book that was drawn (or inked) by Ernie Chan, my money hit the counter immediately.

Rest in peace, Ernie. You will be missed…

Before we had heard of Lestat, Bill Compton or Edward Cullen, one vampire alone dominated our collective pop culture conscious; the formidable and classic, Barnabas Collins.

This week the offices of Goth Chick News are draped in black, or I should say more draped in black, in respectful mourning for Mr. Jonathan Frid, who portrayed the character on the soap opera/horror series Dark Shadows (making his first appearance at the doors of Collinwood on April 18, 1967) until 1971, and who died last Saturday at the age of 87.

As we’ve previously discussed, Johnny Depp will be reprising Mr. Frid’s iconic role in the Dark Shadows remake set for release on May 11th, though it’s probably more appropriate to call is a “redo” as director Tim Burton has elected to make it a… sigh… comedy.

Depp released the following statement today:

Jonathan Frid was the reason I used to run home from school to watch Dark Shadows. His elegance and grace was an inspiration then and will continue to remain one forever more. When I had the honor to finally meet him, as he so generously passed the torch of Barnabas to me, he was as elegant and magical as i had always imagined. My deepest condolences to his family and friends. The world has lost a true original.

Apparently Depp, like the rest of us, didn’t even hear about this sad loss until Thursday, when Frid’s Dark Shadows co-star Kathryn Leigh Scott paid tribute to him on her website:

I am so grateful to have worked with Jonathan, and to have known him as the charismatic, entertaining, complex and plain-spoken man that he was. What fun we had working together! He was irascible, irreverent, funny, caring, lovable and thoroughly professional, and in the end became the whole reason why kids ‘ran home from school to watch’ Dark Shadows.

I am so grateful that nearly five decades later, Jonathan, David Selby, Lara Parker and I were invited to play cameos in the new Dark Shadows, directed by Tim Burton and starring Johnny Depp as Barnabas Collins. How wonderful for the four of us to work together again and celebrate the legacy of Dark Shadows. I won’t ever forget the moment when the two Barnabas Collinses met, one in his late 80s and the other in his mid-40s, each with their wolf’s head canes. Jonathan took his time scrutinizing his successor’s appearance.

‘I see you’ve done the hair,’ Jonathan said to Johnny Depp, ‘but a few more spikes.’ Depp, entirely in character, replied, ‘Yes, we’re doing things a bit differently.’

Though it does indeed appear that Mr. Frid willingly passed his wolf’s head cane to Depp and the Hamilton, Ontario hospital where Mr. Frid died lists the cause as “natural,” we can only hope that watching the trailer for the upcoming version of Dark Shadows isn’t really what put him in his coffin for good.

Adieu Barnabas…

While I was at the games auction at Gary Con on Sunday, Luke Gygax solemnly paid tribute to those industry giants we lost in the last year, including Jim Roslof and Jean Wells, both early and influential TSR employees.

But I was startled when Luke added that M.A.R. Barker, the grand old man of role playing, had died last week at the age of 82.

M.A.R (Muhammad Abd-al-Rahman) Barker is not particularly well remembered today. He wasn’t especially prolific as an author, with five novels to his credit — the last three published by obscure small press publishers. But everyone who paid attention to TSR in the heady early days of role playing knew M.A.R. Barker, the creator of Empire of the Petal Throne and the fantasy world of Tékumel.

Barker created Tékumel in the decades from 1940 to 1970. Wholly unique, Tékumel was a science fantasy setting inspired by Indian, Middle Eastern, Egyptian and Meso-American mythology, a world colonized by humans and alien species some 60,000 years in the future. Perhaps most intriguing, Tékumel was largely free of Tolkien’s influence as it was well established long before the publication of The Lords of the Rings — the only major RPG setting of the 20th Century that could make that claim.

In the early 1970s Barker met one of the original Dungeons & Dragons playtesters, Mike Mornard, and was introduced to the game. It didn’t take long to realize the potential of the D&D ruleset, and he quickly adapted it for his own use and self-published Empire of the Petal Throne in 1974. One of his occasional players was D&D co-creator Dave Arneson, who called Barker his favorite Game Master — and EPT his favorite RPG.

TSR published a revised version of Empire of the Petal Throne in 1975, bringing it to the attention of tens of thousands of young role players eager for anything new. Barker was a professor of Urdu studies, which instantly made him cool (even if we weren’t exactly sure where Urdu was).

But with its baroque and dense setting and unfamiliar trappings, EPT largely mystified its early audience, and the game went nowhere. Far more copies were purchased than played, and just about every copy I’ve ever seen of this rare game is in mint, unplayed condition.

The game — and especially its setting — struck a chord with older, more sophisticated gamers however, and over the decades no less than four major role playing releases used Tékumel as a setting, including a later reprint of Empire of the Petal Throne (Different Worlds Publications, 1987), Swords & Glory (Gamescience, 1983/84), Gardasiyal: Adventures in Tekumel (Theater of the Mind Enterprises, 1994), and Tekumel: Empire of the Petal Throne (Guardians of Order, 2005). All of them are interesting, but Gardasiyal and its supplements — including a lavish collection of sophisticated solitaire adventures — are excellent, and highly prized collectibles today.

Barker’s first two novels, Man of Gold (1984) and Flamesong (1985), were published in paperback by DAW, and are still read and collected today. By the mere act of disassociating RPGs from the worlds of Tolkien and the sword-and-sorcery legacy of Robert E. Howard, Barker demonstrated the rich potential of role playing to an entire generation of gamers. He was an enormously creative man, and he will be missed.

This week I take on the sad task of doing the obituary piece for the passing of another great industry artist. I don’t think these things hit me quite as much when I simply read about the death of an artist until I started doing Art of the Genre, but now that I take the time to look back and speak about a career, it’s somehow even more of a loss.

To me, Jean Giraud was simply a man with a strange alias, Moebius. I didn’t know him well, or his work for that matter. He was a Frenchman, a comic guy, and the two didn’t run into my creative circle of artistic knowledge as well I they probably should have.

Still, Moebius was ever my enigma, and when I did my list of the Top 10 Fantasy Artists of the Past 100 Years back in 2011, Moebius might not have made the final list but he did receive a healthy number of votes from all the industry insiders I polled. This fact wasn’t lost on me, but as time is ever crunched and fleeting I went about with other work and never got back to studying why it was that Moebius had placed so highly on knowledgeable people’s lists.

Today, as I write this, I’ve finally come to realize why. I may not have known Moebius in his personal art, but that isn’t to say I don’t know him in so much of the art I love. You see, Moebius, for all the wonderful things he did with his own hand, was perhaps better known for those he influenced with that work.

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Glenn Lord, the Father of Robert E. Howard fandom, died yesterday.

Lord was born in 1931 in Louisiana. He first discovered the work of Robert E. Howard through his first Arkham House collection, Skull-Face and Others (1946). This began a life-long interest in Howard’s work, and in 1965 he became the literary agent for Howard’s heirs. The same year he purchased Robert E. Howard’s famous literary trunk, filled with tens of thousands of pages of unpublished stories, poems, and story fragments, from pulp writer E. Hoffmann Price.

The trunk, and Lord’s private collection of unpublished Howard fiction, provided a seemingly endless trove of new material for decades, published in places such as Fantastic Stories, Zane Grey Western Magazine, The Howard Review, The Magazine of Fantasy and Science Fiction, numerous anthologies, and in his own magazine, The Howard Collector. In 1977 he worked with Karl Edward Wagner to release three seminal Conan books through Berkley, The Hour of the Dragon, Red Nails, and The People of the Black Circle, the first Conan collections to present the unaltered text of Howard’s stories from Weird Tales.

Lord received the World Fantasy Convention Award in 1978, and was the Editor Guest of Honor at the World Fantasy Convention in Austin, Texas in 2006. He received The Cimmerian‘s Lifetime Achievement Award in 2005.

Read a personal remembrance from Black Gate blogger Barbara Barrett, who attended a birthday party for Glenn Lord at the Monument Inn in LaPorte, TX in November, after the jump.

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In the decade or so I’ve been editing Black Gate magazine, I’ve been blessed to cross paths with a wide variety of talented writers, artists, and creators.

One of the most talented was Euan Harvey, a terrific short story writer whose career was just beginning to take off. His work appeared in Realms of Fantasy, Aoife’s Kiss, and Heroic Fantasy Quarterly. I bought a story from Euan, “Kamaratunga’s Masterpiece,” and it is scheduled to appear next year in Black Gate.

In August 2009 Euan was diagnosed with metastatic cancer. He lived and taught in South East Asia for thirteen years, but that year he returned to the United Kingdom, where he lived just outside London with his wife and family.

Today his family posted the following announcement on his Facebook page:

To all of Euan’s friends who have been reading this. I am sorry to tell you all that his melanoma grew so fast that on Tuesday his state deteriorated and we were warned he might not have long. His brother and sister, cousin and parents were… all with him yesterday, and last night Alex and Fon stayed with him. He could hear but not talk. At 5.45 this morning [Friday 9th] his breathing changed, and he died very peacefully.

BG Managing Editor Howard Andrew Jones, who discovered and first introduced me to Euan while he was editing Flashing Swords magazine, said this about him:

Euan Harvey was a fine man and father, and an excellent writer. He gave me great novel feedback, and I have enjoyed his stories for years. I was proud to call him friend. I am stunned and saddened by this news.

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Anne McCaffrey, one of the most loved SF and fantasy writers of the 20th Century, died yesterday at her home in Ireland.

McCaffrey is probably best known for her Dragonriders of Pern novels, which began with the novella “Weyr Search” in Analog in October, 1967.

“Weyr Search” won the Hugo Award for Best Novella; its sequel “Dragonrider” (published in two parts in Analog in December 1967 and January 1968) was awarded the Nebula.  The two stories were collected as the first Pern novel Dragonflight, first published by Ballantine Books in July, 1968.

That was followed by an incredible 22 novels and two collections of short stories (some co-written with her son Todd), including The White Dragon (1978), the first hardcover SF novel to become a New York Times bestseller.

McCaffrey was a very prolific writer, with more than 100 books to her credit. Her first novel was Restoree (1967), and she had a real talent for series — including the Crystal Singer series, Freedom, Doona, Dinosaur Planet, Brain & Brawn Ship, Acorna, and many others. [I know -- crazy, right? The only comparable modern author I can think of who has nearly this many popular series  is L. E. Modesitt.]

I recently bought a collection of vintage Analog magazines, and came across the one above, with the “Weyr Search” cover by John Schoenherr. It reminded me that those were the days when genre magazines could catapult you to the very peak of the profession, something far more rare today. McCaffrey had published only a handful of stories and her first novel (barely) when ”Weyr Search” appeared… within a year she had won both the Hugo and Nebula, and published the first novel of a series that would make her a bestselling writer.

In addition to stellar sales, Anne McCaffrey was highly honored by fans and her fellow writers. She won the Robert A. Heinlein Award in 2007, became a SFWA Grand Master in 2005, and was inducted into the SF Hall of Fame in 2006.