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Frankly Frankenstein

Frankly Frankenstein

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My guess is that even people who’ve never read the novel or seen the Boris Karloff version likely recognize that “Frankenstein” signifies a human-made scientific creation that bites back. (Though they probably do confuse which is the creator and which is the actual monster.)

Here in the 21st century, what Mary Shelley depicted way back at the start of the 19th is embedded in our cultural collective consciousness, even for those people who don’t pay attention to the culture unless it involves Taylor Swift, because of how often it actually occurs throughout history. Take your pick of technological disasters, the latest perhaps being AI.

Of course the reason why Shelley’s Frankenstein: or, The Modern Prometheus  is a canonical work even before SF gained some legitimacy in academia is that this isn’t just a gothic horror story (though it is of course that).

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A to Z Reviews: “3 RMS, Good View,” by Karen Haber

A to Z Reviews: “3 RMS, Good View,” by Karen Haber

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A to Z Reviews

Real estate prices in San Francisco are notoriously high, which leads Karen Haber’s character in “3 RMS, Good View” to seek out extreme living arrangements. Despite her better judgement, she rents an apartment in near Haight and Asbury in San Francisco in 1968, despite working in the 2000s, for Chrissy lives in a world where time travel is inexpensive and easy.

Haber’s focus in not on the impact so many time travelers would have on the world, simply presenting a noninterference contract they all must sign. Instead, Haber focuses on the impact living in the past, and particularly that year and place, have on Chrissy and her cat, MacHeath. Haber does note that Chrissy can spend as much time in her 1968 apartment and never be late for work because she can set her arrival coordinates to whatever she needs them to be.

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First Class Noir: Death Comes Too Late by Charles Ardai

First Class Noir: Death Comes Too Late by Charles Ardai

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Death Comes Too Late (Hard Case Crime,
March 12, 2024). Cover art by Paul Mann

Charles Ardai is the creator and the editor of the famous, successful Hard Case Crime series (featuring novels by the likes of Rex Stout, Lawrence Block, Stephen King, Earle Stanley Gardner, Cornell Woolrich, and Ray Bradbury, just to mention a few) now reaching its 20th Anniversary.

But Ardai is no minor author himself, as proved by the present volume, which collects twenty short stories (including some prize winning tales) previously appeared in various venues.

On the whole the book represents a very interesting and entertaining showcase of Ardai’s work. Among the various stories some are particularly worth mentioning.

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Adventure in the Magellanic Cloud: The Mote in Time’s Eye by Gérard Klein

Adventure in the Magellanic Cloud: The Mote in Time’s Eye by Gérard Klein

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The Mote in Time’s Eye (DAW, January 1975). Cover by Josh Kirby

This is the latest in a series of posts I’m doing covering relatively obscure SF novels of the ‘70s and ‘80s. This novel was first published in French in 1965, but as it didn’t appear in English until 1975, I figure it fits this series.

One of the things on the good side of the Donald A. Wollheim ledger is his willingness to publish SF in translation. This was one of four novels by Gérard Klein that DAW books published. (Perhaps half a dozen translated short stories appeared in various places.)

Gérard Klein was born in 1937. He began publishing SF at the age of 18, and he seems to have mostly stopped in the mid-70s. He has also been a significant anthologist, and a critic, receiving the Pilgrim Award in 2005 for his scholarly work. His day job was as an economist. He is still alive, now 86 years old.

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A to Z Reviews: “Deal with the Devil,” by Carol Gyzander

A to Z Reviews: “Deal with the Devil,” by Carol Gyzander

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A to Z Reviews

Although the most famous iteration of the Beatles featured George Harrison, John Lennon, Paul McCartney, and Ringo Starr, the band had a variety of lineups prior to settling on the Fab Four. Many know of its famed lineup during their Hamburg Days: Harrison, Lennon, McCartney, Pete Best, and Stu Sutcliffe. In “Deal with the Devil,” Carol Gyzander elects to write about a lesser known lineup, which allows the story to be dated to a one week period between Christmas 1960 and the end of that year, when the Beatles played in Liverpool with Chas Newby replacing Stu Sutcliffe, who had elected to remain behind in Hamburg.

While they wait to begin a set to begin, Lennon hands around some pills and suddenly the nascent Beatles find themselves staring at two boys on a television screen. More surprisingly, they are able to have a conversation with the two boys who claim to live in the Beatles’ distant future and were trying to establish contact with the rock heroes, Black Sabbath, through some sort of séance.

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Datlow’s Latest Treat: The Best Horror of the Year, Volume Fifteen, edited by Ellen Datlow

Datlow’s Latest Treat: The Best Horror of the Year, Volume Fifteen, edited by Ellen Datlow

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The Best Horror of the Year, Volume Fifteen (Night Shade, January 16, 2024)

Once again legendary editor Ellen Datlow has released her annual anthology featuring the Best horror stories that appeared in print the previous year.

And once again the volume includes, in the front, a detailed, invaluable overview of the year in horror (this time 2022). Being a short story lover I am particularly interested in anthologies and collections and, as it happens, once again I discovered how many interesting books I missed…

I always enjoy Datlow’s selections but, naturally enough, some I found particularly accomplished. Here they are.

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The Red Magician by Lisa Goldstein

The Red Magician by Lisa Goldstein

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In the town where Kicsi grew up there was a rabbi who could work miracles. It was a small town, and borders — Hungarian, Czech, Russian — ebbed and flowed around it like tides. Once, Kicsi remembered, she went too far from home and came to a place where the people spoke a different language. In the distance, on the horizon, stood the mountains, fat and placid as cows.

The Red Magician (1982) by Lisa Goldstein is a young adult, magical realist novel about a Jewish girl, during, and after the Holocaust. The author, herself the daughter of two Holocaust survivors, won a National Book Award for paperback original. The book, while short by today’s dreadful standards, is a compelling meditation on willful blindness in the face of great horror, misplaced vengeance, and the harrowing effects of survivor’s guilt.

Kicsi, which means little in Hungarian, lives with her family in a small town completely isolated from the evil smothering much of Europe. We meet her as she listens in on a conversation between her father, Imre, and the town’s rabbi. The rabbi threatens anyone who doesn’t remove their child from the town school with a curse. The school, in defiance of traditional belief, teaches Hebrew. The language, the rabbi insists:

will be spoken only when the Messiah comes and we return to the Holy Land. That is to say, when God wills it. Until then Hebrew is to be spoken only in prayer.

As punishment, the rabbi curses anyone connected to the school to be tormented by forty demons for forty days and nights. Imre insists that he isn’t scared of any curse and that his daughters will continue to attend the school Fortunately, a stranger arrives in the town, first appearing in the synagogue on Friday night.

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A to Z Reviews: “The Scapegoat Factory,” by Ofir Touche Gafla

A to Z Reviews: “The Scapegoat Factory,” by Ofir Touche Gafla

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A to Z Reviews

Over the past several years, I’ve embarked on a series of year-long review cycles at Black Gate. In 2018, I reviewed a story-a-day to coincide with an author whose birthday it was. In 2022, I selected stories completely at random from my collection to review. In both of those cases, the projects served to find forgotten and minor works of science fiction that spanned a range of years. They also served to make me read stories and authors who I haven’t read before, even if they were in my collection.

For this year’s project, I’ve compiled a list of all the stories and novels in my collection. I then identified the first and last works for each letter of the alphabet and over the next twelve months, I’ll be looking at those works of fiction, starting with Vance Aandahl’s “Bad Luck” and ending with David Lee Zweifler’s “Wasted Potential.” Looking at the 52 works (two for each letter), I find that I’ve only reviewed one of the works previously. Interestingly, given the random nature of the works, only three novels made the list, while four anthologies have multiple stories on the list. The works range in publication date from 1911’s “The Hump,” by Fernan Caballero to Zweifler’s story from last year.

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A to Z Reviews: “The Well-Oiled Machine,” by H.B. Fyfe

A to Z Reviews: “The Well-Oiled Machine,” by H.B. Fyfe

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A to Z Reviews

H.B. Fyfe published “The Well-Oiled Machine” in the December 1950 issue of The Magazine of Fantasy and Science Fiction, and the story demonstrates a forward thinking that explores the use of computers and artificial intelligence in the workplace, although in Fyfe’s story, the editor, William Moran (also referred to as Ed, since he is the editor), has a staff of robots rather than networked AIs or computers.

Moran is the editor of Stupendous Stories, a magazine that publishes science fiction adventure stories. As far as the story indicates, Moran is also the only human employee of the company. Before stories get to his desk, a robot known as Sinner writes up synopses (synopses) of the stories for Moran to review. Moran than decides which stories to read based on those briefs and sends the stories to Liar (a linotype robot) to be laid out. Advertising is handled by Adder, the art department is run by Arty, and for good measure, there is a repair robot known as Doc.

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A to Z Review: “Bit by Bit,” by Karina Fabian

A to Z Review: “Bit by Bit,” by Karina Fabian

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A to Z Reviews

Karina Fabian published “Bit by Bit” in Daily Science Fiction in January, 2011 and it was subsequently reprinted in their massive first year’s collection, Not Just Rockets and Robots.

A root canal is bad enough, but it becomes even worse of Sally when the dentist’s drill broke off in her tooth. Rather than attempt to extract the broken off drill bit, the dentist elected to leave it inside the tooth (this is not recommended practice by the ADA). Almost immediately, Sally began hearing chirping sounds, which she understood to be an alien language.

Unable to understand what the aliens may have been saying, but understanding that the constant noise was annoying her and making life difficult, Sally attempted to have the drill bit removed, a procedure which was denied by her insurance company. Joining the aluminum hat brigade as a method to stop the signals from reaching her tooth, Sally found her job as a barista in jeopardy.

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